Euripides turned to playwriting at a young age, achieving his first victory in the Athens' City Dionysia dramatic competitions in 441 BC. He would be awarded this honor three more times in his life, and once more posthumously. His plays are often ironic, pessimistic, and display radical rejection of classical decorum and rules. In 408 BC, Euripides left war-torn Athens for Macedonia, upon the invitation of King Archelaus, and there he spent his last...

One of the lesser known plays of the Greek tragedian Sophocles, "Electra" tells the tale of a young daughter's revenge for her father's death. Electra is one of the daughters of "Agamemnon," the leader of the Greeks during the Trojan War. He was killed by his wife's lover, and Electra wishes to avenge Agamemnon with the help of her twin brother Orestes. When she receives word that he is dead, Electra laments and fears she will not be able to avenge...

La opinión de Baudelaire sobre Madame Bovary es, sin duda, la que sigue manteniéndose hoy. Para él, como para nosotros ahora, Madame Bovary es una obra de arte. El artículo, que publica en la revista L'Artiste, en aquel, año de 1857, es un modelo de inteligencia crítica: "Una novela, ¡y qué novela! La más imparcial, la más leal". Él es el primero, y durante bastante tiempo el único, en afirmar que la dimensión moral del texto es secundaria,...

Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him; of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances....

Immanuel's Kant's groundbreaking work, considered to be among the most influential philosophical texts in the Western canon Familiar to philosophy students through the centuries, The Critique of Pure Reason is in many ways Kant's magnum opus. First published in 1781, it seeks to define what can be known by reason alone without evidence from experience. Kant begins by defining a posteriori knowledge, which is gained through the senses, versus a priori...

Sophocles' Philoctetes begins with their arrival on the island. Odysseus explains to Neoptolemus that he must perform a shameful action in order to garner future glory - to take Philoctetes by tricking him with a false story while Odysseus hides. Neoptolemus is portrayed as an honorable boy, and so it takes some persuading to get him to play this part. To gain Philoctetes's trust, Neoptolemus tricks Philoctetes into thinking he hates Odysseus as well....

Durante el otoño de 1912, en Praga, escribió Franz Kafka (1883-1924) La metamorfosis, la peripecia subterránea y literal de Gregor Samsa, un viajante de comercio que al despertarse una mañana "de un sueño lleno de pesadillas se encontró en su cama convertido en un bicho enorme". En pocos libros de Kafka queda tan explícito y tan nítido su mundo como en La metamorfosis, en la que el protagonista, convertido en bestia, sumido en la más absoluta...

Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him; of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances....

The Inferno, by Dante Alighieri, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: • New introductions commissioned from today's top writers and scholars • Biographies of the authors • Chronologies of contemporary...

The importance of Æschylus in the development of the drama is immense. Before him tragedy had consisted of the chorus and one actor; and by introducing a second actor, expanding the dramatic dialogue thus made possible, and reducing the lyrical parts, he practically created Greek tragedy as we understand it. Like other writers of his time, he acted in his own plays, and trained the chorus in their dances and songs; and he did much to give impressiveness...